Showing at Wetpaint Gallery 1 September – 1 October
Su Trindle is an independent jewellery designer and silversmith living in Bath, in the west of England. Su works predominantly in silver and resin. Her jewellery designs are bold, colourful and geometric with strong linear elements. A recurring source of inspiration are the abstract works of early 20th century sculptors and designers. Su studied Craft and Jewellery Design at Bath City College. She is a Member of the Association for Contemporary Jewellery and the Gloucester Guild of Craftsmen.
Date: September 6th – October 29th
Venue: meme cafe bar,George Street Stroud GL5 3DY
‘’I want to describe a response to my immediate environment, either rural or urban and, sometimes, my travels further afield. My excitement with colour, form, line and texture gives me an intuitive language to express this dialogue. Often it is perverse; the town can be tranquil, calm, reassuring while the countryside can be edgy, challenging or insecure’’
Date: 1st -31st July 2016
Opening Times: Thursday – Saturday 10am – 5pm
Venue: Hallidays Mill, London Road,Chalford, Stroud GL6 8NR, UK
This exhibition celebrates the art of printmaking and will feature an exclusive selection of contemporary printmakers from all over the country. Included in the exhibition will be linocuts by Melvyn Evans and Lucy Farley.
Ceramics by Rowan Whimster – Papier mache by Gill Hackett
Further artists to be announced. On show will be a range of techniques including screen prints, linocuts, etchings and wood engravings. Further artists to be announced and all works will be for sale.
How have textiles developed and evolved since the Industrial Revolution? How have they shaped lives? How has technology changed the production of textiles? Can textiles be used as a tool for reading social history? Do all cultures interact with textiles in the same way?
This textile history course will analyse modern textile outcomes, focusing on technological, social and cultural developments. We will explore modern material developments from the Industrial Revolution to the present day. The course will analyse at a broad selection of textile pieces and practices from a variety of disciplines, including: fashion; interiors; craft; and architecture.
If you would like to explore modern material developments, join us Tuesday evenings at SGS College, Stroud.
Fancy creating innovative, mixed-media textiles? On the Experimental Textiles course at SGS college, Stroud, we will be combining traditional textile techniques with modern materials. Join us in the great material experiment!
During the five-week course we will be applying traditional textile techniques, like appliqué, embroidery and cutwork to a variety of modern materials, from plastics and non-wovens to rubbers and metals. You will learn how to create modern multi-media textile designs for fashion or interiors. All projects will be original thanks to your material and technique selections.
Godfried Donkor is a Ghanaian visual artist living and working in London. His artistic practice straddles continents and cultures as well as sociological, and historical spheres. The film project, The currency of Ntoma (2012)is a brilliant example of his transcultural artistic approach.
The currency of Ntoma presents Donkor’s own mother as a collector of valuable objects – Dutch wax prints. The project is made up of two films (one audio+visual, one visual) streamed simultaneously on opposing walls in a gallery space. For the purpose of the Cultural Threads symposium, the two films were streamed side by side.
Australian textile artist, Julie Ryder, analyses transcultural encounter in her research project, Generate/Regenerate. This project features in Cultural Threads: transnational textiles today (ed. Jessica Hemmings) and Julie Ryder presented her research at the Cultural Threads symposium held recently in London.
Over the next week, the SITselect blog will look at the projects discussed in the Cultural Threads symposium held at Central Saint Martins, London.
The Cultural Threads symposium marked the launch of the book, Cultural Threads: transnational textiles today (Hemmings, 2015). The publication draws on a wealth of contemporary art and design to address issues concerning cross-cultural encounter.
Bristol Museum and Art Gallery’s current exhibition showcases contemporary trends in ceramics and glass from China. Many of the exhibiting artists have connections with the city of Jingdezhen where porcelain has been made for over ten centuries. All of the twenty artists selected for the exhibition challenge traditional approaches to glass and ceramics.